There aren't the usual cinematic fluffy flashbacks justifying reincarnation and destiny. The portions surrounding the modern era aren't compromised either where a modern couple is introduced with a 'selfie' moment in a rainbow backdrop. If it's the wacky humour that the latter phase provides, the past helps you peep into the little-nothing pleasures, in-depth relationships during which the blissful portions of Nagarjuna and Shriya tug your heart-strings. The film goes back and forth from being a periodical to a contemporary outing. Whether it's hatred, ambiguity, misunderstanding or love, the foundation laid to justify the emotion is immensely believable. The cast feels complete and each of them are equally dedicated to the exercise of making a simple film with fine touches of novelty, humour and emotion.įrom the bespectacled look that Naga Chaitanya bears to the homemaker Samantha, the progress of the story doesn't stop the director Vikram Kumar from delving deep into their histrionics. The characters stay as per the script and if you have a producer who only wants to glorify the cinematic legacies of ANR within a film, he wouldn't have bothered to give as much screen-time to Samantha and Shriya Saran in the very same film. He neither wants to give up on his screenplay-driven story, his rebirth themed plot nor the lighthearted touches surrounding it all.
Manam movie wiki movie#
While the presence of three generations in a single movie could have been a distracting opportunity for the director Vikram Kumar to go gaga in elevating their on-screen stature and the chemistry, he doesn't succumb to the ideas that most of his contemporaries would have easily did.
All content is subject to his perspective's jurisdiction and any brickbats and discussions on right and wrong are welcome.) ( This review is merely a piece of fiction as transpired in the writer's head. Go kill yourself, now that you have wasted five minutes of your life reading this review. Starring - Akkineni Nageshwar Rao, Akkineni Nagarjuna, Akkineni Naga Chaitanya ( though not in this particular order of lineage ), Samantha, Shriya, Ali, Brahmanandam and a few other people whose names we cant remember. The old and the grand are giving way for the young and new. What happens during the course of the film is a run of the mill drama, the very very routine comedy and a set of tragically predictable incidents. Manam, written and directed by Vikram Kumar and produced by the "Akkineni Family" is the story of a strange set of incidents revolving around a clocktower, a day in February and three men scattered in time with hillarious love stories.
This film is no different and no less than a celebration of a family that, at the end of it, declares another heir incumbent much to our moblike audience's thrills. Let us not deny the fact that when the rich and the powerful celebrate, the world watches in awe. But since the plot and the story are quite stupid and unbelievably badly done, we must enjoy this bold projection of one of the five powerful families of our cinema industry. Manam is a three-tier generational story with several fine layers of near real-life, sub-altern, watch-beyond-the-screen subtextual stories running around the plot.
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