The movie made $82 million over the five-day weekend, placing it behind only “Frozen” (2013) for a Thanksgiving debut.ĭisney suffered an early embarrassment when it decided to sell costumes of Maui, which featured brown shirts and long pants with full-body tattoos. The star is 16-year-old Moana, voiced by Hawaiian actress Auli’i Cravalho, who goes on an ocean voyage with Maui, voiced by Dwayne “The Rock” Johnson. It’s a shame the story isn’t up to par to support his efforts enough to recommend the film.The fictional movie takes place 3,000 years ago in the islands of Polynesia, an area that includes Hawaii, Tonga and Tahiti.
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He is a director who knows how to work around limitations, and makes things feel more vast than they really are. Doleac makes the most of a clearly limited budget, and aside from one quick, ill-advised shot of Cernunnos fighting like a character in a bad made-for-TV movie, does a commendable job behind the camera. He is actually scarier than Cernunnos in his own way. Arthur is the only other solid character in the story, and Doleac is good in the role. From the second act until the end, there is a constant feeling that things should have a heavier impact than they do.ĭemigod is directed by Miles Doleac ( The Hollow 2016, The Dinner Party 2020 ), who also co-wrote and stars as a supporting character, Arthur, a hunter and single father who lives in the wilderness with his young daughter. While he’s not as bad as his servants, he still doesn’t possess the sense of awe that a being of his kind ought to.
Cernunnos himself ends up being less terrifying and a good deal more mouthy than anyone would expect him to be. There’s just not enough emotional or psychological punch behind what the story sets up.
There is also the problem of an overall lack of dread or foreboding that should be present throughout a story like this. This despite solid performances from the lead couple, who are about the only ones who feel tangible. Their chemistry and story are the best things about Demigod, but once that is gone, the flimsy agency of the villains is exposed and isn’t enough to fill the void it leaves. It’s not only the villains’ screen presence that bring the story down, but the narrative choice of separating Robin and Leo about halfway through the film is a mistake that it never recovers from. This is perhaps the biggest problem the film has. Their dialogue is less than good, as is their delivery, and it brings any momentum the story has to a halt whenever they’re on screen. Nichols and Myles are both good actors, but the same can’t be said of the servants of Cernunnos, a small group of witches and a large, brutish enforcer. Unfortunately, the critical villain department is where Demigod falls flat. This nature God has its own agenda and servants, and they don’t bode well for our protagonists. Demigod takes its title from the Celtic entity Cernunnos, a subject explored few times, if any, in previous Horror films. It’s a familiar setup we have all seen countless times before, but what makes Demigod interesting is the villains. Robin’s grandad has passed away, leaving her the aforementioned ancestral home, which turns out to literally be a cabin in the woods a nice cabin, though. Joe: The Rise of Cobra 2009, The Man in the High Castle series) as Robin, and Yohance Myles ( Created Equal 2017, Gothic Harvest 2019) as her boyfriend Leo. Tropes are nearly impossible to avoid completely, but it’s how they are played that makes all the difference, and Demigod makes some narrative choices to its own detriment. As Horror fans, we know that many of the stories we engage with will have a certain amount of overlap. While its premise is a good start, under the hood Demigod has some problems.
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